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#HEALMETOO PODCAST EPISODE 6:
Tonya Pinkins & Lindsay Lederman on Neuroscience & Healing Through the Arts
In a live taping for the #HealMeToo Festival Podcast, Festival Founder and Artistic Director Hope Singsen explored the neuroscience of trauma and healing through the arts with two dynamic guests:
Tony Award-winner, performer, playwright, director, producer, activist, and #HealMeToo presenting artist, Tonya Pinkins
Lindsay Lederman, the Clinical Director of The Art Therapy Project.
Artists and audiences alike describe feeling changed by visual, narrative, musical, and performance works of art. The shift can be slight, but it can be profound, too. What's happening in our minds and bodies when we engage with the arts, to allow that transformation to occur? Are there special ways art-making can help address the neurobiological effects of trauma, in particular? And might engaging with art, individually and as a culture, help inspire the changes we wish to bring about?
A few of the topics Tonya Pinkins and Lindsay Lederman discuss:
The neuroscience of trauma and of healing
Why Tonya asserts we have the ability to “change the past”
What art therapy is, how it works, and why it lets you work through past trauma at “a step away” so it may be less overwhelming--and sometimes more effective than addressing things “head on”
How imagination and being creative in many aspects of life can open the locked parts of the brain
How our neurons start to fire in new ways while we experience art, like putting footsteps down in a new path
How art can help us recover our sense of joy after trauma
Why artistic activities access feelings and memories through the body, to help us address experiences that were not captured in language at the time
Why trauma of many kinds leaves survivors with a sense of shame, and how witnessing art and performance can help address that shame
How and why creating or viewing art that presents new and different ways of imagining the future may help change the way we respond to things that trigger or frighten us, even when we disagree with the artwork we’re responding to